I just came across three beautiful stills of Carey in “The Seagull”, a play she did back in 2007. Check them out:

• [x003] Theatre: The Seagull - Stills

I just updated our gallery with some “Shame” posters from various countries (can’t really tell which ones), all of them featuring Carey!

• [x004] Movies: Shame - Film Posters

Thanks to my friend Kelly we have an scan of Entertainment Weekly latest issue which has a small article about “The Great Gatsby”:

• [x001] Scans in 2012 - January 20th: Entertainment Weekly

• [x082] Captures in 2012 - January 19th: London Film Critics’ Circle Awards Interview

Carey walked the red carpet of London Film Critics’ Circle Awards with “Shame” co-star Michael Fassbender. She was nominated for British Actress of the Year for her roles in both “Drive” and “Shame” but unfortunately she didn’t win it. You can find more than 200 photos of Carey at the event, wearing a Roland Mouret dress and YSL shoes, in our gallery:

• [x204] Appearances in 2012 - January 19th: London Film Critics’ Circle Awards

UK fans have achance of winning a signed “Shame” Poster. Read bellow for more info:

For a chance to win, just follow CultBox on Twitter and tweet the following text:

Win #SignedShamePoster @cultboxtv http://bit.ly/AdlRcm

> Find our more info on the film.

Winners will be selected at midday on Thursday 2nd February 2012.

Terms & Conditions:
You must be resident in the UK to enter. Employees and contributors of CultBox.co.uk and their families are not eligible to enter. Only one entry per person is permitted. The judge’s decision is final and no correspondence will be entered into. The prize may not be transferred to any other person. No cash alternative or alternative prize is available on entrant’s request, but in the event of the advertised competition prize being unavailable we reserve the right to offer an alternative prize of equal or greater value. Entry in the competition implies acceptance of these rules.

BAFTA nominees announced yesterday and guess what, Carey made it to BAFTA shortlist and got nominated for SUPPORTING ACTRESS award for her role in “Drive”. Also both “Drive” and “Shame” got some more nominations listed bellow:

SUPPORTING ACTRESS
CAREY MULLIGAN Drive
JESSICA CHASTAIN The Help
JUDI DENCH My Week with Marilyn
MELISSA MCCARTHY Bridesmaids
OCTAVIA SPENCER The Help

Other nominations for Carey’s projects are:

• BEST FILM: DRIVE Marc Platt, Adam Siegel
• OUTSTANDING BRITISH FILM: SHAME Steve McQueen, Iain Canning, Emile Sherman, Abi Morgan
• LEADING ACTOR: MICHAEL FASSBENDER Shame
• DIRECTOR: DRIVE Nicolas Winding Refn
• EDITING: DRIVE Mat Newman

posted by guardian.co.uk on january 15th, 2012

In the 1970s, through 1980, the photographer Francesca Woodman made images of young women, most often herself, in a blurry, foggy, subliminal state. She called one famous series her ghost pictures. They were achieved through slow shutter speeds, which meant that instead of being the record of a blinked instant, they captured movement through time and mid-air: in one a female figure leans forward, body flexed, awkward, in fizzing focus, while her head shakes frantically, blurrily, as if ridding herself of a wasp. Many of the figures are almost transparent. I am here, they insist. But watch me disappear.

When Carey Mulligan was working on her latest film, Shame, she saw a documentary about the Woodman family and Francesca’s work inspired her character Sissy – a damaged, needy, tinnily upbeat young woman, whose singing act becomes her last desperate attempt to forge a relationship with her brother. When she is working on a film, says Mulligan, she often makes scrapbooks for her character. “It really is so childish. It’s like my way of saying,” – she puts on a child’s voice – “‘I’m qualified!’ … I had little Woodman pictures in the book, stuff like that.” Her voice goes quiet. “If anyone ever read them I’d be mortified because they’re just full of shit. They’re not clever and there’s nothing creative in them. It’s just me reassuring myself.”

Continue Reading »

posted by stv.tv on january 13th, 2012

Carey Mulligan admits she prefers acting on the stage as opposed to in front of cameras.

Carey Mulligan doesn’t like acting in front of a camera.

The British beauty – who has previously been nominated for an Oscar – admits she sometimes struggles in films because she is not fond of cameras, and prefers to be blinded by the lights of theatre.

She said: “The closer a camera gets to me, the worse I am at acting, it completely throws me.

“The best moment of my career to date was doing ‘The Seagull’ on Broadway. It was a couple of years ago, before all that stuff happened with ‘An Education’. Nothing’s topped it, the feeling of being on that stage. It’s so immediate and so consuming in a way that film isn’t.

“Film’s so stop and start and that often makes me act badly. But on stage I’m blinded by the lights.”

However, she was very keen to win the role of eccentric Sissy in Steve McQueen’s sex addiction movie ‘Shame’.

She added to the Metro newspaper: “Steve kept trying to leave the meeting and I sat him back on his chair and said, ‘What do I need to get this job?’ I told him I felt a passionate desire to play the part.”

Seems that all those fashion rumblings were true. The 2012 Metropolitan Costume Exhibit will be Elsa Schiaparelli and Miuccia Prada: On Fashion.

The exhibit will unveil to the public on May 10, and will explore the similarities between two Italian designers from different eras, inspired by Miquel Covarrubias’ ‘Impossible Interviews’ written for Vanity Fair in the 1930s.

The extravangant Met Gala will be held on May 7. And the honorary chair is Jeff Bezos, founder and CEO of Amazon, with Prada fan Carey Mulligan, Miuccia Prada, and Anna Wintour serving as co-chairs. Director Baz Luhrmann will act as creative consultant to the exhibition.

The exhibit is interesting timing considering that Madonna’s film, W.E, about the life, loves and looks of the Duchess of York, Wallis Simpson is hitting theaters.  In the film, costume designer Arianne Phillips, recreated some of Schiaparelli’s dresses worn by The Duchess or York, including the iconic scroll dress, a navy suit with white leather scrolls stitched on the lapel.

The title of the exhibit is based on Umberto Eco‘s books On Beauty and On Ugliness. Videos will play in the galleries of simulated conversations between Schiaparelli and Prada organized by topics such as “On Art,” “On Politics,” “On Women,” “On Creativity,” and more.

Around 80 designs by Schiaparelli — from the late 1920s to the early 1950s — will be displayed, along with Prada designs from the late 1980s to the present. 

Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was closely associated with the Surrealist movement that inspired her iconic designs such as the tear dress, the lobster dress, the shoe hat, and the insect necklace.

Prada, who holds a PhD in political science, took over her family’s Milan-based fashoin business in 1978 and focuses on fashions that reflect the eclectic nature of Postmodernism.

Both were thoughtful and creative women of their time and this promises to be a fascinating exhibit. Although it’s doubtful that this exhbit’s attendance will break the records set by Alexander McQueen‘s postumous exhibit last year.